Support a Free, Trustworthy Press in 2017

Cross-posted from Medium.

As you make year-end donations and think about which causes to support in 2017, I strongly urge you to consider setting up recurring contributions to organizations that support a free, vibrant, and trustworthy press.

Concerned citizens of all political persuasions will find plenty of causes in need of resources in the coming years of the new administration. But no cause can be well supported if the press does not report on it, and if citizens don’t trust that reporting. That’s why I believe that — above all — we need to support trustworthy journalism.

Our trust in journalism is under threat on a number of different fronts. Changes in technology and business models in the media industry have weakened mainstream newsrooms and strengthened outlets that pander to readers’ predetermined points of view. “New media” (a lumpy term in which I include social platforms as well as new web-based news organizations) have also presented an opportunity for individuals and groups on every point of the political spectrum to publish their views broadly, without the gate-keeping or fact-checking performed by the traditional media. Social media sites also create echo chambers in which our existing beliefs are reinforced rather than challenged. Meanwhile, on the political front, our president-elect repeatedly dismisses pillars of the mainstream media as “failing” and “dishonest,” obscuring truth and spreading confusion, and he has not hesitated to punish outlets when they publish something about him he doesn’t like. Many of his followers agree with this tactic: according to a Pew research poll held just before the election, only 49% of registered voters who supported Trump said that the freedom of news organizations to criticize political leaders was “very important.”

But to hold their government accountable, citizens do need to be well informed — and the sources of our information need to be seen as trustworthy by politically and socioeconomically diverse swaths of that citizenry. If I believe that a racially-motivated hate crime took place because I trust Vox and my neighbor doesn’t because they trust Breitbart, how can we hope to effectively petition our government to stop such atrocities?

This isn’t easy — there isn’t an obvious path forward that simply calls for some political will and some fundraising. Traditional news sources are struggling not just because right-leaning Americans have decided they’re dishonest; they’re struggling in part because they haven’t effectively met needs that social media sites do, and because they’ve stumbled over themselves while trying to find the right business models for the digital age. And more conservative new media outlets have cropped up in part because existing outlets, however strongly they believe in their journalistic ideals, have still failed to be relevant to a large swath of the population.

Meanwhile social media platforms and other news aggregators have distanced themselves from the truth-evaluation game in part because it opens up a Pandora’s box of questions about who gets to decide what truth and news even are — questions that weren’t even easy to answer when that gate-keeping was done by news organizations. (And, of course, such fact-checking and investigating, if done well, is expensive and time-consuming.) Traditional outlets have also floundered on this front, for example when they conflate “balanced” with “truthful” reporting.

But if we have no agreed-upon benchmark for measuring the truth, how can we agree on whether Vox or Breitbart is correct, on which outlet is more credible, on what facts are facts? Alt-right champion Mike Cernovich gleefully calls the resulting vacuum “postmodern” and sees it as an opportunity for a new national narrative; I see it as a deeply troubling mess whose solutions will have to be political, educational, and commercial at the very least.

Still, we can’t let the pursuit of perfect solutions be the enemy of good, solid action. To that end, here are some practical places I urge you to start:

First, support local and national commercial journalism by paying for subscriptions to the outlets you read or consume the most and that support traditional journalistic ethics, be they the New York Times, NPR, or the Boston Globe. (Even more localized news outlets cover issues such as school board matters, local ordinances, and infrastructure decisions that don’t often get covered by national media but have just as much effect on people’s lives.) Again, these more traditional news sources aren’t the be-all, end-all solution to the problem, but they’re certainly organizations that have the responsibility to tell truth to power. If we use them to educate ourselves, we need to empower them to do it as well as possible — and our dollars tell them that we as readers and customers are invested in that outcome.

Another way to communicate that investment is to hold these news organizations accountable when you see that they’re not doing a good enough job. The University of Wisconsin’s Center for Journalism Ethics has a great list of resources for registering complaints and concerns, including links to contact the public editors at major news organizations.

Next, donate to organizations that advocate for and support the free press, investigative journalism, and journalists:

  • ACLU — An organization fighting for freedom of the press and other first-amendment rights.
  • ProPublica — An independent, non-profit newsroom that produces investigative journalism in the public interest.
  • Society of Professional Journalists (SPJ) — Their First Amendment Forever Fund is an endowment built to fight for press freedoms. It’s a kind of meta version of their Legal Defense Fund, to which you can also donate directly, and which provides journalists with legal or financial assistance in the cause of defending freedom of speech and press, often to enforce public access to government records.
  • Electronic Frontier Foundation (EFF) — It’s like the ACLU for the digital world, defending individual rights of expression and privacy online.

And finally, donate to organizations that support our own education as consumers of information:

  • Center for News Literacy — An initiative of the Stony Brook University Department of Journalism, the Center works to teach students and the general public how to read, interpret, and gauge the value of news reports and news sources. A recent, much-publicized study from Stanford showed how much difficulty young people have knowing what to trust online, and it would hardly be a surprise if the same were true of adults.

This is just a start. The issues with our media and with our government’s attitude toward it aren’t going to be fixed just by buying subscriptions or donating to advocacy organizations. We also need to remain ever watchful, creative, and demanding in the days — and years — ahead.

Trackers: Fitbit vs. Withings Activité Pop

I’ve decided that I’d like to start learning about wearables, in particular some kind of activity tracking watch. As I began looking I didn’t have any specific use cases in mind, so part of what I was researching was what I actually wanted out of this kind of a device.

I pretty quickly centered in on the Fitbit Charge HR and the Withings Activité Pop (affiliate links), which are, usefully, the same price, at $150. I’ve bought both and am hoping that Amazon lets me return whichever one I decide against.

Right now it’s a dead heat, though each device has very different strengths and weaknesses. After about a day of using each device and its app, here’s what I’ve learned about the pros of each one:

Fitbit Charge HR

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  • Premium feel. The band is textured on the outside and very soft on the inside, and the clasp is built just perfectly, with a notched rubber slider to keep the loose end in place. The Withings strap feels a little cheap—though you can replace it with any standard 18″ watch strap.
  • Smaller, more comfortable. Having a band around your wrist is less distracting than a big watch face. The band wraps around my (small) wrist evenly.
  • Heart rate tracking. I’ve been trying to figure out how much I need this. It was really great to actually see what my heart rate was on a run and in a yoga class; for yoga in particular I had never tracked my activity beyond recording the amount of time I spent in a practice. (Results: my heart rate was steadily high for longer than I thought, but it didn’t spike to a “cardio” level as much as I had expected.)
  • Sophisticated app. The Fitbit app allows you to designate certain segments of your activity as “workouts” (so your run is counted as one workout even if you ran, then walked, then ran some more). It also has a sophisticated goal system that allows you to designate a target weight and choose from “easy,” “medium,” and “hard” lengths of time to get to that weight; it then calculates how many calories you can eat given your activity level on a given day. Withings has a goal function but it’s not that nuanced.
  • See your stats in the dark. The digital display lights up so it’s visible at night. You can tell what time it is if you wake up in the middle of the night, or check your heart rate if running pre-dawn.
  • Get more stats from the device. The band itself gives readings for the time of day, the date, how many steps you’ve done that day, distance, heart rate, calories, and flights. (Withings gives you the time of day, time of an alarm you set, and your % progress toward your daily step goal.) You can also set it to vibrate if you get a phone call and display the contact name or number of the call—very useful if you keep your phone on vibrate most of the time but don’t always have it in your pocket. (But: if I keep my phone with me for music and GPS tracking when I run, do I really need to have all that info on my wrist, too?)
  • Useful for yogis. As I mentioned, because you can track heart rate, you can track something like the caloric impact of your yoga practice—and how that impact varies across different sessions, classes, or teachers. It also integrates with Mindbody Connect, the app used by many yoga studios to schedule classes; it means you can review your stats for your past classes all in one place in the Mindbody app.
  • Water intake. You can manually log when you drink water to keep track of your hydration levels. (There is also a Thermos water bottle that tracks this for you automatically, with reminders to take a sip.)
  • Slightly less ridiculous name. I mean really.

 

Withings Activité Pop

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  • Analog, stylish, simplified. The traditional analog face is much more professional and dressy than the sporty Fitbit. It only shows the time (hours and minutes), your % of daily step goal reached, and, with a double-tap, any alarms you have set. There are unlimited options for bands. I can see myself wearing this to the office and to nice dinners and marathon days singing in church where the Fitbit would feel a bit odd.
  • Waterproof. It seems that there is a heart rate/watersports tradeoff with the Fitbit and Withings watches—you can’t have both. It’s great to know that I can use this watch to track swimming, and I don’t have to take it off for a quick shower after a run.
  • No charging. You have to charge your Fitbit for 1-2 hours every few days. The Activité Pop uses a regular watch battery that just needs to be replaced a few times a year.
  • Better Apple syncing. Fitbit won’t sync with the Apple Health app (though there are now some third-party apps I haven’t yet explored that will facilitate that). That means that I need to go to a completely separate app to get data like my weight, flights climbed, etc. The Withings app does it all in one place.

One of the big things I’ve realized is that it’s not just the functionality and features of the device that are important; it’s also the functionality and features of its app, and which other apps it will integrate with. I wasn’t really thinking about that when I launched into looking at the devices, but it’s really brought home how important apps are to our physical experiences now. Both the Fitbit and Withings app are very rich, and I haven’t yet gotten a sense of which better serves my needs. So, more to come!

In the meantime, do you have any experience with either of these devices? What do you think?

Kitchen Design with WordPress

I’m in the final throes of designing my new kitchen, and that means paint! I find this process horrendous. I’ve been using a combination of the Benjamin Moore Color Capture app, a site that converts paint names to hex called Encycolorpedia, and an app called Coolors that generates good color combinations.

None of this is science, of course, since every color is different on every screen and in every kitchen context (and in every weather, really). But I was getting frustrated that there was nowhere I could simply see the colors I was considering all together in some reasonably accurate relative spatial relations, and quickly know what the paint names were. I was getting frustrated with the BM app for not letting me save more than 5 colors in one favorites “group.” And I was getting frustrated with the BM website’s “paint your kitchen” feature because their sample kitchen looks nothing like mine.

So I’ve added WordPress and simplenote to the mix. In simplenote I’ve listed all my colors by name, number, and hex, organized by which surface they’re for (accent wall, other wall, ceiling, etc.), and I’ve rigged up a table in HTML that vaguely looks like one corner of my kitchen. Then it’s easy to cut and paste and recombine into this WordPress post.

I’m going to keep playing with the colors, so more combos will be added here as I explore and refine things.

Let me know if you have any feedback about my process these colors!

The one thing I found frustrating is that I just wanted to do an inline style sheet before each table to declare the colors neatly all in one place, but of course WP won’t let you do that. Any ideas?

 

frostine af-5
twilight 2058-10 paper white 1590
(cabinets and backsplash)
(counter)
(cabinets)
(floor)
frostine af-5
verdigris 685 paper white 1590
(cabinets and backsplash)
(counter)
(cabinets)
(floor)
frostine af-5
mozart blue 1665 silvery moon 1604
(cabinets and backsplash)
(counter)
(cabinets)
(floor)
frostine af-5
silver mink 1586 paper white 1590
(cabinets and backsplash)
(counter)
(cabinets)
(floor)
frostine af-5
mount saint anne 1565 paper white 1590
(cabinets and backsplash)
(counter)
(cabinets)
(floor)
frostine af-5
monarch gold 1109 simply white OC-117
(cabinets and backsplash)
(counter)
(cabinets)
(floor)

A Dose of Comfort from Brahms’s Requiem

I’m now singing my third setting of the words of Isaiah 40:6:

“All flesh is as grass, and all the glory of man as the flowers of grass.
The grass withereth, and the flowers thereof falleth away,
But the word of the Lord endureth forever.”

The first time was at a memorial service three days after 9/11. We were a choir mourning the loss of one of our own on that day, and the Hebrew Enosh is one of the most moving laments I have ever heard. Even the conclusion, that the glory of God does last forever, is part of the same, haunting line.

The second setting actually is taken from the new testament, which quotes the original passage in the context of a buoyant celebration of the fact that the resurrection makes us all imperishable. In Blessed Be the God and Father, Wesley turns those piercing old Hebrew words into melodramatically sad English ones before a terrific organ chord and the choir bursting forth with the bit about the word of the Lord enduring forever, breaking into a seemingly uncontrollable fugue in their uncontrollable joy.

Tonight we’re singing Brahms’s setting in Ein deutsches Requiem in memory of John F. Kennedy, here on the 50th anniversary of his death. Unlike the rest of the piece, much of which proceeds with a heavenly shimmer, the movement with these lyrics begins as a dirge, taking death on darkly and truly. But then before getting to the “but the word of the Lord” bit (also a bouncing fugue here) Brahms detours us through some new text, from the book of James. The verses counsel listeners to be patient and to wait for the fruit of the earth like a “husbandman,” in a playful, almost childlike waltz. It’s that earthiness, that earthly comfort, that I find so interesting here, set against text that is meant to clearly remind us that anything earthly is so transitory, even if there’s a deity that can help us transcend it all. This is somewhere in the middle — between the dust to which we return and the heavens to which we hope to ascend. You don’t often see too much of this kind of earthly comfort in requiems. Why did Brahms stick that bit in? I’m not sure but it’s one of my favorite passages in a piece brimming with some pretty amazing moments.

(Shameless plug: concert tickets at http://ow.ly/qShiQ.)

The Boston Red Sox Win the World Series, Haiku Style

Note: These were written and posted to social media one by one in real time during Game 6 of the 2013 World Series. Here they are collected. Go Boston!

Here we are again.
The green diamond takes its place
In October stars.

Here comes the offense
Against this Wacha Wacha
First pitch is a strike.

Ortiz is on base.
What else is new? Naps can’t hit
Fastballs worth a damn.

The key to the game
Is don’t wait til Game Seven?
Wow, Buck, McCarver.

There are men on base.
Chances for a double play?
At least don’t walk Freese.

A wild pitch followed
By a fierce strikeout to end
A scary inning.

Flyin’ Hawaiian
Has American flag shoes
Back clearly still hurts.

Point oh-six-seven.
Now that’s a batting average.
Let’s go Stephen Drew!

Leaving men on base
Is a Boston specialty
One more lost inning.

Obstruction again?
No, don’t worry, it’s just
Jim Joyce’s strike call.

Time to walk Papi.
Molina thinks he’s just great,
And Jim Joyce agrees.

Bases are loaded!
Here comes Shane Victorino!
Oh three little birds

Shane Victorino!!!!!!!!!!
Without exclamation points
Can’t tell full story

Dustin Pedroia:
Gold Glove, almost double play,
But bobbled the ball

Stephen Drew!!!!!
You get exclamation points
Too!!! It’s about time!

The upstairs neighbors
Have different cable; their yells
Give early alerts.

We are in the fourth;
I have to write another
Papi walk haiku.

Wow, so Ellsbury
Calmly high-fived John Kerry
Next to the dugout.

Every little thing
Is gonna be alright, Oh
Baby don’t worry

Two on with one out.
Carlos Beltran comes to bat.
I’m nervous again.

Got out of a jam.
Cards have almost as many
Hits as the Red Sox!

Drew: so hot right now.
Will he hit another one?
Make up for it all?

What the hell was that?!!
I’ve never seen a rundown
The runner escaped.

“To sky”: now a verb.
More Buck/McCarver complaints.
I just can’t help it.

“This is my guy,” and
Farrell leaves Lackey in there.
Two runners are close.

Now a big at bat.
Bases loaded, Craig coming.
Can they strand all three?

NO NO NO NO NO
Was that Breslow warming up?
Absolutely not.

.@DidDrewGetAHit
Appears to be broken now
That Drew got a hit.

Just for the record,
@billdamon pulled out bubbly
With three whole outs left.

Now it’s Koji time!
No one better to turn to
To get three huge outs.

The Boston Red Sox
Win another World Series!!!!!
Bring on the duck boats!!!!

Marathon Monday
Transcended and remembered.
This is our city!

What to Do Around Acadia During the Shutdown

Locals and concerned citizens are writing up lists of things to do on Mount Desert Island while Acadia National Park is closed during the government shutdown. Some of these are great things to do on private or state land outside of the park; some of them involve deliberate trespassing into the park; some of these are observations and warnings as to what could happen if you do decide to enter the park.

I’m heading up to the island this weekend in part to support local businesses, and thought it would be convenient to have these all in one place.

Useful blog posts and event pages:

Resources:

I’ll keep adding things as I find them. If you have any other suggestions, please tweet them to me.

Traveling to Europe with an iPhone

As vacation season is ramping up, people have been asking about how to make sure they don’t get smacked with outrageous phone bills upon their return from international vacations. Here are my tips for trips to Europe, mostly around ways you can take advantage of the phone’s settings to limit your exposure.

Please do check in with Apple and your phone company, though, to make sure there isn’t anything else you need to do: the last time I traveled abroad was two years ago so things may have changed. Note also that the options below were accurate for an iPhone 5 running iOS 6.0.1. Your phone may be slightly different.

  1. Call your phone carrier.
    • Let them know where you are traveling and see whether you need to set up an international calling plan and an international data plan for that time period (and make sure to turn it off when you are back!). These plans themselves aren’t super cheap.
    • Make sure you find out how much it costs to place and receive calls and texts under the plan, and how much each MB of data downloaded will cost you. Just because you have a plan doesn’t mean these things are free. Record that cost information somewhere you’ll have handy while traveling, like in the notes app on your phone.
  2. Learn how to turn off select phone features and monitor your usage.
    • Turn your cellular data service on and off. When I travel abroad, I generally keep my cell data service off. This means the phone receives/sends data and text messages through wifi only, which is free (unless the wifi provider is charging you separately, which you’d know about). The risk you run if you leave cell service on is that you’ll go around doing your normal things on your phone and not realize how much stuff is going through that cellular connection and how much it’ll cost you until it’s way too late — and you don’t get any warnings. If you’re keeping it off, though, you won’t receive texts or be able to get internet data or voicemails unless you’re hooked up to wifi. I turn the service back on if I’m not near wifi and need to get specific data, or a few times a day if I’ve been away from wifi and want to check if I have any text messages, or if I’m meeting up with people and need to be able to receive texts. Note that this setting does not affect actual phone service — incoming or outgoing calls — at all. More information about what you can and can’t do with your cellular service off is here. To turn your cellular service on and off:
      • Go to Settings
      • Tap General
      • Tap Cellular
      • Use the Cellular Data toggle to turn the service on and off
    • Monitor usage. Keep an eye on how much data you’ve used as you travel, and use the notes you took about costs to calculate your current expenditures. As you are leaving (this is a good airport gate activity), reset your usage meter:
      • Go to Settings
      • Tap General
      • Tap Usage
      • Go to the bottom and tap Cellular Usage
      • Tap Reset Statistics

      Then, while you are traveling, you can check how much time you’ve spent on the phone and how much cell data you’ve used.

      • Go to Settings
      • Tap General
      • Tap Usage
      • Go to the bottom and tap Cellular Usage
      • Look at Call Time > Current Period and Cellular Network Data > Sent and > Received.

      By keeping an eye on these numbers, you can get a sense of what activities use the most data and how to budget your connectivity time.

    • Airplane mode. Remember you can always turn off all cell and data and wifi services using airplane mode — it’s the first option under Settings.

One thing I don’t have a lot of experience with is how GPS usage is affected by these settings; you can’t access maps without some data but GPS itself does still work to some degree, I believe. Leave a note in the comments if you know!

What Surrounds the Gutenberg Parenthesis?

Today Rick Hornik (who clearly knows me well) sent me a link to this interview of the authors of the theory of the Gutenberg Parenthesis. The theory posits that the age of print brought with it certain cultural anomalies which we now consider to be truisms and norms, but which are actually being called into question in the digital age, on a trajectory that is leading us back where we started before Johannes began puttering with movable type.

Reading the piece was great fun because I really like thinking about how wide, sweeping cultural trends ebb and flow, particularly those around orality and literacy, print and digital, and the ways that culture deals with information as a thing.

I did think the theory reductionist, though, in its classification of everything as either inside the parenthesis or outside of it. Reductive thinking can be powerful because it allows us to make connections and see patterns, but here are a few reasons it’s dangerous in this case:

  • We’re not just going in circles. Whether or not the internet is more medieval than the age of print, it’s not that we’re returning whole hog to the days of Chaucer. These guys talk about coming full circle; I think of the world in more Siddharthan (Buddhist?) terms as a spiral. We may be back in the same place in the circle, but we’ve moved up the helix: we are somewhere new. The danger of overlooking this is that we won’t recognize that while certain things are back again (a networked world, a world with messy authorship), some of today’s conditions are very different (the cloud, global brand recognition, a stock market, pharmaceutical companies’ in-house IP lawyers). For example, oral cultures were highly conservative because they dedicated their cultural muscle to remembering important things; literacy liberated the cultural mind to turn to more innovative activities; now with all of our information stored and immediately accessible, instead of returning to the old ways, we could get even more innovative as a society. (Walter J. Ong does a good job of capturing the sense of both returning to a preliterate culture and growing even more literate in the digital age in his classic Orality and Literacy). Finally, while it’s effectively jarring to call the print era merely a parenthesis, it’s misleading, because though it’s true that it’s just a temporary hiccup in time, it implies that other eras aren’t also temporary hiccups.

  • It’s not just medieval. Each of the periods we’re talking about here was internally differentiated. It’s become something of a cliché to talk about today’s world of the internet and ebooks as analogous to Gutenberg’s first days of print, but there’s meat to that comparison. The early days of print typography were a (fabulous) mess and they were about replicating what came before (handwritten manuscripts); the early days of the internet typography were a (fabulous) mess and they were about replicating what came before (printed [news]papers and books). Later, highly normalized days of print will perhaps be analagous to later days of the web, and they’ll be very different than what we have going on now, just as what we have going on now is very different than, say, 1998. If we are entering a medievalesque period now, that’s not to say that the internet always was or always will be medieval. And not all preliterate culture was medieval–that was only the last cultural era before Gutenberg came along. If you go much before 800 AD, you’re running into a very different society altogether. Maybe I’m just quibbling with the conflation of “preliterate” with “medieval.”

  • Value-laden language. You can’t escape this stuff, but it’s like we’re either judging the medievals (the Dark Ages!) or, in this piece, we’re judging the print era (lousy containers with their static content–let’s have a “restoration”!). I do admit that I enjoyed reading about a positive account of the medieval period for a change, however.

Digging into what made the medieval information culture tick was indeed the best part of the piece. I hadn’t thought of that medieval world as highly “networked,” specifically because it was so hierarchical and I think of networks as more democratic. But the part about how oral culture messes with authorship and how that’s similar to the way content operates on the web is very resonant. Certainly to some degree when copyright law came into being in the early 18th century it was in reaction to the rising needs of print culture; what this theory and this interview does well is to question whether that law is actually the obvious right thing or whether now we’ll need to grow out of it again.

But this is where the discussion comes in of whether we’re just traveling in circles or if there’s something linear and progressive about our cultural development as well. Our modern economy depends on granting rights to the creator of intellectual property, and not just in the media world: so are we moving to a place where all that will need to change? And if so is the pendulum indeed simply swinging back the other way, such that in a thousand years we’ll be building cathedrals again, instead of bazaars? Or will we find a new (and also temporary and parenthetical) Hegelian synthesis between the capitalist need to assign ownership and our increasingly dynamic network of living content?

Trying a Second Post

Let’s see what this will look like, shall we?

Today is a rainy, warm, humid spring day. Lots of quiet and lots of internet here.

Hello world!

Hello, shiny new website reader! Stay tuned: more info and real links to actual stuff to come someday soon.